Georgia O’Keeffe (Tate Modern 6 July-30 October 2016)
“you hung all your own associations with my flowers on my flowers and you write about my flowers as I think and see what you think and see of the flowers and I don’t”
“Miss O’Keeffe’s drawings … were of intense interest from a psycho-analytical point of view” Camera Work MDCCCCXII
Joanna Russ’s How to Suppress Women’s Writing is a blistering anatomy of the ways in which critics dismiss female authors. I suspect the same is true in the way we treat female artists. So many of them are just plain ignored, not part of the history, whereas others get related to more famous (artist) husbands. The recent Barbara Hepworth exhibition at Tate Britain is a case in point — the juxtaposition of her work with Ben Nicholson’s (much as I like him), risks privileging the influence in one way.
The muse is female. Continue reading →