Paterson (Jim Jarmusch, 2016)
Eddie Redmayne was lauded for his problematic performance in The Danish Girl, but it’s not until the closing credits of Paterson that it is revealed that here Marvin the dog is actually played by Nellie (and has since died).
What are we to make of this? Is it a sign that her human, Laura (Golshifteh Farahani), is so obsessed by her relentless redecoration of their house in black and white that she hasn’t noticed Marvin’s sex? Or in her world is Marvin a gender neutral name? She is explosively creative — painting the walls, the soft furnishings, the shower curtain, trying to learn the guitar in three days, wanting to make a fortune with cupcakes — and even subjecting Marvin to the indignity of bad paintings. It’s only a wonder she hasn’t painted on Marvin.
Whilst Laura stays at home, hubby Paterson (Adam Driver) drives a bus.
Imagine that. Imagine the version where they’d cast Minnie Driver.
Paterson, living in Paterson, has read Paterson and aspires to be a poet. He writes poetry when he should have been starting on route 23, he writes poetry in his lunch hour and he writes poetry in his den. He writes it in big friendly letters in his Moleskine (gotta love stationery porn) and on the screen, just in case we don’t get it. It is clean and there are no crossings out.
First thot, best thiught.
Obviously it is Paterson-esque because this is Paterson in Paterson. No wonder Marvin’s confused. Is it meant to be any good? Paterson’s let Laura read it, but he’s never performed it and he’s never submitted it anywhere and because he doesn’t do any fucking drafts, the Moleskine is his only copy. So is it any good?
And every night, Marvin is taken for a walk to a bar. Not into the bar — he is made to sit outside, even though it is made clear that dog jackers are about. His life is at risk.
Paterson just sits there nursing a drink, chatting to the locals, in a kind of post-racial utopia where one of the African American patrons can pull a gun and not be gunned down by the law. Everyone can quote Abbott and Costello routines.
Maybe Marvin is better off outside.
But clearly Marvin is building stress and resentment, and, having committed minor acts of vandalism takes a bloody revenge on his humans. Serves them right. He’s mad as hell and he’s not going to take it anymore.
I have to say I never quite trusted Paterson. I suspect he’s on the edge of becoming all emo, obsesses over his dead grandfather and is likely to upset his parents.
Meanwhile, Marvin the paranoid canine has good reason to be paranoid, and Nellie is a great loss.